AI Assistant Job Description

AI Assistant Job Description — independent reviews, comparisons, pricing and step-by-step guides on Aizhi.

SAP BTP

SAP Business Technology Platform (SAP BTP) is a platform as a service developed by SAP SE that offers a suite of services including database and data management, AI, analytics, application development, automation and integration all running on one unified platform. == Overview == SAP BTP is made up of four components: Application development and automation: to create applications or extend existing applications. Data and analytics: to access and analyze data across SAP and third-party systems using multi-cloud architecture. Integration: to integrate and connect applications and data. Artificial Intelligence (AI): to access large language models (LLMs) to develop AI. == History == SAP BTP was introduced as part of the SAP strategy to unify its portfolio and cloud offerings under a single platform. The platform was evolved from earlier initiatives such as SAP Cloud Platform and now serves as the central hub for cloud, data, analytics, integration and AI technologies. Initially unveiled as "SAP NetWeaver Cloud" belonging to the SAP HANA Cloud portfolio on October 16, 2012 the cloud platform was reintroduced with the new name "SAP HANA Cloud Platform" on May 13, 2013 as the foundation for SAP cloud products, including the SAP BusinessObjects Cloud. Adoption of the SAP HANA Cloud Platform in 2015 stood at over 4000 customers and 500 partners. In 2016, SAP and Apple Inc. partnered to develop mobile applications on iOS using cloud-based software development kits (SDKs) for the SAP Cloud Platform. On February 27, 2017, SAP HANA Cloud Platform was renamed "SAP Cloud Platform" at the Mobile World Congress. On January 18, 2021, the name "SAP Cloud Platform" was retired from the SAP product portfolio to support SAP BTP. As of October 2024, SAP states that SAP BTP is used by more than 27,000 customers and more than 2,800 partners. Recently, SAP Business One has worked on improving the functionalities of BTP to cater for the demands of digital transformation. The platform offers comprehensive services in AI, application development, automation, integration, data management, and analytics.
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Ernst Dickmanns

Ernst Dieter Dickmanns is a German pioneer of dynamic computer vision and of driverless cars. Dickmanns has been a professor at the University of the Bundeswehr Munich (1975–2001), and visiting professor to Caltech and to MIT, teaching courses on "dynamic vision". == Biography == Dickmanns was born in 1936. He studied aerospace and aeronautics at RWTH Aachen (1956–1961), and control engineering at Princeton University (1964/65); from 1961 to 1975 he was associated with the German Aero-Space Research Establishment (now DLR) Oberpfaffenhofen, working in the fields of flight dynamics and trajectory optimization. In 1971/72 he spent a Post-Doc Research Associateship with the NASA-Marshall Space Flight Center, Huntsville (orbiter re-entry). From 1975 to 2001 he was with UniBw Munich, where he initiated the 'Institut fuer Flugmechanik und Systemdynamik' (IFS), the Institut fuer die 'Technik Autonomer Systeme' (TAS), and the research activities in machine vision for vehicle guidance. == Pioneering work in autonomous driving == In the early 1980s his team equipped a Mercedes-Benz van with cameras and other sensors. The 5-ton van was re-engineered that it was possible to control steering wheel, throttle, and brakes through computer commands based on real-time evaluation of image sequences. Software was written that translated the sensory data into appropriate driving commands. For safety reasons, initial experiments in Bavaria took place on streets without traffic. In 1986 the Robot Car "VaMoRs" managed to drive all by itself and by 1987 was capable of driving itself at speeds up to 96 kilometres per hour (60 mph). One of the greatest challenges in high-speed autonomous driving arises through the rapidly changing visual street scenes. Back then, computers were much slower than they are today (~1% of 1%); therefore, sophisticated computer vision strategies were necessary to react in real time. The team of Dickmanns solved the problem through an innovative approach to dynamic vision. Spatiotemporal models were used right from the beginning, dubbed '4-D approach', which did not need storing previous images but nonetheless was able to yield estimates of all 3-D position and velocity components. Attention control including artificial saccadic movements of the platform carrying the cameras allowed the system to focus its attention on the most relevant details of the visual input. Kalman filters have been extended to perspective imaging and were used to achieve robust autonomous driving even in presence of noise and uncertainty. Feedback of prediction errors allowed bypassing the (ill-conditioned) inversion of perspective projection by least-squares parameter fits. When in 1986/83 the EUREKA-project 'PROgraMme for a European Traffic of Highest Efficiency and Unprecedented Safety' (PROMETHEUS) was initiated by the European car manufacturing industry (funding in the range of several hundred million Euros), the initially planned autonomous lateral guidance by buried cables was dropped and substituted by the much more flexible machine vision approach proposed by Dickmanns, and partially encouraged by his successes. Most of the major car companies participated; so did Dickmanns and his team in cooperation with the Daimler-Benz AG. Substantial progress was made in the following 7 years. In particular, Dickmanns' robot cars learned to drive in traffic under various conditions. An accompanying human driver with a "red button" made sure the robot vehicle could not get out of control and become a danger to the public. Since 1992, driving in public traffic was standard as final step in real-world testing. Several dozen Transputers, a special breed of parallel computers, were used to deal with the (by 1990s standards) enormous computational demands. Two culmination points were achieved in 1994/95, when Dickmanns´ re-engineered autonomous S-Class Mercedes-Benz performed international demonstrations. The first was the final presentation of the PROMETHEUS project in October 1994 on Autoroute 1 near the airport Charles-de-Gaulle in Paris. With guests on board, the twin vehicles of Daimler-Benz (VITA-2) and UniBwM (VaMP) drove more than 1,000 kilometres (620 mi) on the three-lane highway in standard heavy traffic at speeds up to 130 kilometres per hour (81 mph). Driving in free lanes, convoy driving with distance keeping depending on speed, and lane changes left and right with autonomous passing have been demonstrated; the latter required interpreting the road scene also in the rear hemisphere. Two cameras with different focal lengths for each hemisphere have been used in parallel for this purpose. The second culmination point was a 1,758 kilometres (1,092 mi) trip in the fall of 1995 from Munich in Bavaria to Odense in Denmark to a project meeting and back. Both longitudinal and lateral guidance were performed autonomously by vision. On highways, the robot achieved speeds exceeding 175 kilometres per hour (109 mph) (there is no general speed limit on the Autobahn). Publications from Dickmann's research group indicate a mean autonomously driven distance without resets of ~9 kilometres (5.6 mi); the longest autonomously driven stretch reached 158 kilometres (98 mi). More than half of the resets required were achieved autonomously (no human intervention). This is particularly impressive considering that the system used black-and-white video-cameras and did not model situations like road construction sites with yellow lane markings; lane-changes at over 140 kilometres per hour (87 mph), and other traffic with more than 40 kilometres per hour (25 mph) relative speed have been handled. In total, 95% autonomous driving (by distance) was achieved. In the years 1994 to 2004 the elder 5-ton van 'VaMoRs' was used to develop the capabilities needed for driving on networks of minor (also unsealed) roads and for cross-country driving including avoidance of negative obstacles like ditches. Turning off onto crossroads of unknown width and intersection angles required a big effort, but has been achieved with "Expectation-based, Multi-focal, Saccadic vision" (EMS-vision). This vertebrate-type vision uses animation capabilities based on knowledge about subject classes (including the autonomous vehicle itself) and their potential behaviour in certain situations. This rich background is used for control of gaze and attention as well as for locomotion. Beside ground vehicle guidance, also applications of the 4-D approach to dynamic vision for unmanned air vehicles (conventional aircraft and helicopters) have been investigated. Autonomous visual landing approaches and landings have been demonstrated in hardware-in-the-loop simulations with visual/inertial data fusion. Real-world autonomous visual landing approaches till shortly before touchdown have been performed in 1992 with the twin-propeller aircraft Dornier 128 of the University of Brunswick at the airport there. Another success of this machine vision technology was the first ever visually controlled grasping experiment of a free-floating object in weightlessness on board the Space Shuttle Columbia D2-mission in 1993 as part of the 'Rotex'-experiment of DLR.
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Tomáš Mikolov

Tomáš Mikolov is a Czech computer scientist working in the field of machine learning. In March 2020, Mikolov became a senior research scientist at the Czech Institute of Informatics, Robotics and Cybernetics. == Career == Mikolov obtained his PhD in Computer Science from Brno University of Technology for his work on recurrent neural network-based language models. He is the lead author of the 2013 paper that introduced the Word2vec technique in natural language processing and is an author on the FastText architecture. Mikolov came up with the idea to generate text from neural language models in 2007 and his RNNLM toolkit was the first to demonstrate the capability to train language models on large corpora, resulting in large improvements over the state of the art. Prior to joining Facebook in 2014, Mikolov worked as a visiting researcher at Johns Hopkins University, Université de Montréal, Microsoft and Google. He left Facebook at some time in 2019/2020 to join the Czech Institute of Informatics, Robotics and Cybernetics. Mikolov has argued that humanity might be at a greater existential risk if an artificial general intelligence is not developed.
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Markov information source

In mathematics, a Markov information source, or simply, a Markov source, is an information source whose underlying dynamics are given by a stationary finite Markov chain. == Formal definition == An information source is a sequence of random variables ranging over a finite alphabet Γ {\displaystyle \Gamma } , having a stationary distribution. A Markov information source is then a (stationary) Markov chain M {\displaystyle M} , together with a function f : S → Γ {\displaystyle f:S\to \Gamma } that maps states S {\displaystyle S} in the Markov chain to letters in the alphabet Γ {\displaystyle \Gamma } . A unifilar Markov source is a Markov source for which the values f ( s k ) {\displaystyle f(s_{k})} are distinct whenever each of the states s k {\displaystyle s_{k}} are reachable, in one step, from a common prior state. Unifilar sources are notable in that many of their properties are far more easily analyzed, as compared to the general case. == Applications == Markov sources are commonly used in communication theory, as a model of a transmitter. Markov sources also occur in natural language processing, where they are used to represent hidden meaning in a text. Given the output of a Markov source, whose underlying Markov chain is unknown, the task of solving for the underlying chain is undertaken by the techniques of hidden Markov models, such as the Viterbi algorithm.
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Triller (app)

Triller is an American video-sharing social networking service that was first released for iOS and Android in 2015. The service allowed users to create and share short-form videos, including videos set to, or automatically synchronized to, music using artificial intelligence technology. It initially operated as a video editing app before adding social networking features. Triller gained prominence in 2020 as a competitor to the similar Chinese-owned app TikTok, mainly in the United States and India (after the service was banned in the latter country). The app's success would allow its parent company to expand into sports broadcasting and promotion; including the distribution of pay-per-view boxing events under the Triller Fight Club banner (such as Mike Tyson vs. Roy Jones Jr. and Jake Paul vs. Ben Askren) that incorporated live music performances and appearances by various celebrities and entertainment personalities. == History == === Launch and early years === Triller was launched in 2015 by co-founders David Leiberman and Sammy Rubin. The app was originally positioned as a video editor, using artificial intelligence to automatically edit distinct clips into music videos. They later launched Triller Famous, a page within the app that featured curated selections of user videos. In 2016, the app was purchased by Carnegie Technologies and converted into a social networking service by allowing users to follow each other and share their videos publicly. In 2019, Ryan Kavanaugh's Proxima Media made a majority investment. It is headquartered in Los Angeles, California, and is currently led by CEO Mahi de Silva. === Media exposure and controversies === On June 29, 2020, Government of India banned TikTok, among other apps stating that they were "prejudicial to [the] sovereignty and integrity" of India. Triller, which had planned to enter into the Indian market by the end of 2020, saw a spike from less than 1 million users to over 30 million users in the country overnight. In July 2020, Triller sued ByteDance, the Chinese parent company of TikTok, for infringing patents relating to video editing. In response, TikTok and ByteDance filed a lawsuit against Triller, alleging the litigation initiated by Triller has "cast a cloud" over TikTok's reputation and business dealings. That Summer, U.S. president Donald Trump signed an executive order which threatened to ban TikTok from operating within the United States, citing threats to national security, unless it was sold by ByteDance. The Trump administration stated that TikTok had until November 12, 2020, to assure the administration that the app did not pose any national security threats to the U.S. Following this order and news of possible purchases of TikTok's American operations by companies such as Oracle, Triller jumped from number 198 to number one in the App Store in the U.S., while TikTok dropped down to number three. The discussions surrounding TikTok's potential ban in the United States caused popular TikTok stars, including Charli D’Amelio and her family, to join Triller. Trump joined Triller himself and posted his first video on August 15, 2020. The video received over a million views within hours. On August 12, 2020, Triller partnered with B2B music company 7digital, which will provide Triller with access to its catalogue of 80 million tracks and automatically report usage data to Sony Music, Warner Music Group, Universal Music Group and Merlin Network. The number of Triller's app installations came under scrutiny when third-party analytics firm Apptopia estimated only 52 million lifetime installations of the app by August 2020, while Triller claimed 250 million. Triller threatened to sue Apptopia for publishing the report. By October 2020, Triller claimed to serve 100 million active monthly users, but this number was quickly disputed by six former employees interviewed by Business Insider. Within a few weeks of Triller's claim, employees shared screenshots of the company's internal analytics that showed less than 2.5 million active monthly users. On October 2, 2020, Triller signed licensing deals with the rights societies PRS for Music, GEMA, STIM and IMRO, and the publishers Concord, Downtown and Peermusic. On February 5, 2021, Universal Music Group (UMG) pulled its library from Triller, citing unpaid music royalties. They alleged that Triller "shamefully withheld payments owed to our artists" and refused to negotiate future music licensing. Triller responded with the assertion that "relevant artists" were already partnered with Triller, so a deal with UMG was unnecessary. The two companies reached an expanded licensing agreement in May 2021. On March 24, 2021, Triller signed a licensing agreement with the National Music Publishers' Association. == Features == The Triller app allows users to create music videos, skits, and lip-sync videos containing background music. The app's spotlight feature is its special auto-editing tool, which uses artificial intelligence to automatically stitch separate video clips together without the user having to do it themselves. The separate video clips are created to the same background music, but users are able to shoot multiple takes with different filters or edits each time. Once the auto-editing tool stitches the individual clips together, users can rearrange and replace clips as desired. Users can also customize videos by applying filters and text. When creating a video, users can choose to make a "music video" or a "social video". A "music video" allows users to add music and trim the audio to personal preference. Unlike the music video option, a "social video" does not require the user to add music in the background. The app's auto-editing tool is only used when making music videos, as it uses the background track to help arrange and synchronize the clips. Users can also link their accounts with Apple Music or Spotify to integrate their playlists. Incomplete videos that are yet to be shared appear in a user's "Projects" folder. Once finalized, a video can be shared with other users of the app or through social media platforms such as Facebook, Instagram, Twitter (X), WhatsApp, and YouTube. Any video on Triller can also be downloaded or shared through links, text messages, or direct messaging to other users within the app. The app is divided into three video feeds, consisting of videos from creators that the user follows, the "Social" feed (which showcases trending videos and those by verified users), and the "Music" feed (which exclusively features music videos). Triller accounts can be made either public or private. When the account is public, any user can view the videos on that account. When the account is private, only approved users can view the videos on that account. Users with private accounts can change the privacy settings of individual videos on their accounts from private to public, making the selected videos viewable to anyone on the app. In accordance with online child privacy laws in the United States, children under the age of 13 must receive parental consent in order to create an account on Triller. == User characteristics and behavior == In August 2020, Triller reported that it had been downloaded over 250 million times worldwide with average rating of 4.00. Mobile analytics firm Apptopia disputed the numbers and claimed they were inflated, suggesting that the app had only been downloaded 52 million times since it first launched in 2015. Apptopia pulled the report after Triller threatened to sue the company. The app has been downloaded 23.8 million times in the U.S., with users spending an average of more than 20 minutes per day. A large number of downloads come from India, where TikTok has been banned, as well as from various European and African countries. In October 2020, Triller CEO Mike Lu stated that the app has 100 million monthly active users (MAU). In February 2021, Billboard reported that Triller had "reported higher numbers of monthly active users to the public than it reports to [music] rights holders." CEO Lu argued that "there is no legal definition" of monthly and daily active users, and that "if someone is trying to compare TikTok's MAU/DAU to ours—which means they are saying we have the same definition of MAU/DAU—there is an inherent misunderstanding about Triller's business and business model. It’s like trying to compare a fish and a bicycle." In a public statement, Lu denied that the company had inflated its user metrics. Triller has attracted celebrity users like Chance the Rapper, King Von, LIl Tecca, Lil Mosey, Justin Bieber, Marshmello, The Weeknd, Alicia Keys, Cardi B, Eminem, Post Malone and Kevin Hart. The app is also used by TikTok stars such as Charli D’Amelio, Josh Richards, Noah Beck, Griffin Johnson, and Dixie D’Amelio. Triller has offered large sums of money, company equity, and advisory roles to encourage prominent TikTok users to move to Triller, such as The Sway Boys. Sway House member J
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Gato (DeepMind)

Gato is a deep neural network for a range of complex tasks that exhibits multimodality. It can perform tasks such as engaging in a dialogue, playing video games, controlling a robot arm to stack blocks, and more. == Overview == Gato was created by researchers at London-based AI firm DeepMind. It is a transformer, like GPT-3. According to MIT Technology Review, the system "learns multiple different tasks at the same time, which means it can switch between them without having to forget one skill before learning another" whereas "[t]he AI systems of today are called “narrow,” meaning they can only do a specific, restricted set of tasks such as generate text", and according to The Independent, it is a "'generalist agent' that can carry out a huge range of complex tasks, from stacking blocks to writing poetry". It uses supervised learning with 1.2B parameters. The technology has been described as "general purpose" artificial intelligence and a "step toward" artificial general intelligence.
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Volker Markl

Volker Markl (born 1971) is a German computer scientist and database systems researcher. == Career == In 1999, Markl received his PhD in computer science under the direction of Rudolf Bayer at the Technical University of Munich. His doctoral research led to the development of the UB-Tree. From 1997 to 2000, he was research group leader at FORWISS, the Bavarian research center for knowledge-based systems. From 2001 to 2008, he was project leader at the IBM Almaden Research Center, Silicon Valley. Since 2008, he has been full professor and Chair of the Database Systems and Information Management Group at Technische Universität Berlin. Since 2014, he is head of the Intelligent Analytics for Massive Data Research Department at the German Research Centre for Artificial Intelligence (DFKI), Berlin. From 2014 to 2020, he was director of the Berlin Big Data Center (BBDC). From 2018 to 2020, he was co-director of the Berlin Machine Learning Center (BZML). Together with Klaus-Robert Müller he became director of the new Berlin Institute for the Foundations of Learning and Data (BIFOLD), after both BBDC and the BZML merged into BIFOLD in 2020. From 2010 through 2019, he led the DFG funded Stratosphere project, which led to the establishment of Apache Flink. In 2018, he was elected president of the VLDB Endowment for a six years period that ended in 2024. == Research == Markl’s research interests lie at the intersection of distributed systems, scalable data processing, and machine learning. == Awards and honors == Markl was elected member of the Berlin-Brandenburg Academy of Sciences and Humanities in 2021. Since 2026 he is member of the German National Academy of Sciences Leopoldina. His work was honoured with several awards, including: 2025 ICDE Best Paper Award 2021 ICDE Best Paper Award 2021 BTW Best Paper Award 2020 ACM SIGMOD Best Paper Award 2020 ACM Fellow 2019 EDBT Best Paper Award 2017 BTW Best Paper Award 2017 EDBT Best Demonstration Award 2016 ACM SIGMOD Research Highlight Award 2014 VLDB Best Paper Award 2012 IBM Faculty Award 2012 IBM Shared University Research Grant 2010 Hewlett Packard Open Innovation Award 2005 IBM Outstanding Technological Achievement Award 2005 IBM Pat Goldberg Best Paper Award
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Black in AI

Black in AI, formally called the Black in AI Workshop, is a technology research organization and affinity group, founded by computer scientists Timnit Gebru and Rediet Abebe in 2017. It started as a conference workshop, later pivoting into an organization. Black in AI increases the presence and inclusion of Black people in the field of artificial intelligence (AI) by creating space for sharing ideas, fostering collaborations, mentorship, and advocacy. == History == Black in AI was created in 2017 to address issues of lack of diversity in AI workshops, and was started as its own workshop within the Conference on Neural Information Processing Systems (NeurIPS) conference. Because of algorithmic bias, ethical issues, and underrepresentation of Black people in AI roles; there has been an ongoing need for unity within the AI community to have focus on these issues. Black in AI has strived to continue the progress of improving the presence of people of color in the field of artificial intelligence. In 2018 and 2019, the Black in AI workshop had many immigration visa issues to Canada, which spurred the conference to be planned for 2020 in Addis Ababa, Ethiopia. On December 7, 2020, Black in AI held its fourth annual workshop and first virtual workshop (due to the COVID-19 pandemic). In 2021, Black in AI, alongside the groups Queer in AI and Widening NLP, released a public statement refusing funding from Google in an act of protest of Google's treatment of Timnit Gebru, Margaret Mitchell, and April Christina Curley in the events that occurred in December 2020. == Founders == Rediet Abebe is an Ethiopian computer scientist who specializes in algorithms and artificial intelligence. She is a Computer Science Assistant Professor at the University of California, Berkeley. She was previously a Junior Fellow at Harvard's Society of Fellows. She was the first Black woman to receive a Ph.D. in computer science at Cornell University. She "designs and analyzes algorithms, discrete optimizations, network-based, [and] computational strategies to increase access to opportunity for historically disadvantaged populations," according to her web bio. Timnit Gebru was born in Ethiopia and moved to the United States at the age of fifteen. She got her B.S. and M.S. in electrical engineering from Stanford University, as well as a PhD from the Stanford Artificial Intelligence Laboratory, where she studied computer vision under Fei-Fei Li. She formerly worked as a postdoctoral researcher at Microsoft Research in the Fairness Accountability Transparency, and Ethics (FATE) division. She's also worked with Apple, where she assisted in the development of signal-processing algorithms for the original iPad. == Grants == Black in AI received grants and support from private foundations like MacArthur Foundation and Rockefeller Foundation. The organization received $10,000 in 2018 for its annual workshop and $150,000 in 2019 for its long-term organizational planning. In 2020, during the pandemic, the organization received a grant of $300,000 by MacArthur Foundation in order to provide broad organizational support. In 2022, Rockefeller Foundation announced $300,000 to fight prejudice in artificial intelligence (AI) across the globe and incorporate equity into this rapidly expanding field. == Programs == "Black in AI works in academics, advocacy, entrepreneurship, financial support, and summer research programs." The Black in AI Academic Program is a resource for Black junior researchers applying to graduate schools, navigating graduate school, and transitioning into the postgraduate employment market. They provide online education sessions, offer scholarships to cover application fees, pair participants with peer and senior mentors, and distribute crowdsourced papers that simplify the application process. They also undertake research projects to investigate and highlight the difficulties that Black young researchers face, as well as push for structural reforms to eliminate these barriers and build equitable research settings. Moses Namara is a Facebook Research Fellow at Clemson University and a PhD candidate in Human-Centered Computing (HCC). He is the mentor for the new Black in AI Academic Program. During the graduate school admissions season in 2021, Black in AI served more than 200 potential graduate program candidates in some capacity. Furthermore, the organization's study identified greater problems encountered by Black graduate school candidates, such as the high cost of graduate school admissions examinations (GREs), which are known to be biased against those from low-income backgrounds. Black in AI's attempts to encourage institutions to eliminate the obstacles were supported by the findings. Black in AI is also developing a program to help and connect Black tech startups with investors. Black in AI also mentors early-career Black AI academics and is forming relationships with Historically Black Colleges and Universities to extend its academic program. In 2021, Black in AI launched two summer research programs, one for undergraduate internships and another for unconstrained research mentorship, including one aimed explicitly at empowering Black women's AI research projects. == Conferences and workshops == At NeurIPS 2017, the first Black in AI event took place in December 8, 2017 in Long Beach, California. The goal was to bring together experts in the area to share ideas and debate efforts aimed at increasing the participation of Black people in artificial intelligence, both for diversity and to avoid data bias. Black AI researchers had the opportunity to share their work at the workshop's oral and poster sessions. The second workshop was hosted in Montréal, Canada, on December 7, 2018. According to AI experts, visa issues stymie efforts to make their area more inclusive, making technology that discriminates or disadvantages individuals who aren't white or Western less likely. Hundreds of participants who were supposed to attend or present work at the Black in AI session on Friday were unable to fly to Canada; many of the participants were from African countries. The third workshop was held in NeurIPS 2019, one of the premier machine learning conferences Vancouver, Canada. The workshop was able to give travel scholarships and visa support to hundreds of academics who would not have been able to attend NeurIPS without the help of sponsors. For instance, Ramon Vilarino of the University of Sao Paulo, who presented a poster at the conference on his study of geographical and racial prejudice in credit scoring in Brazil, would not have been able to attend NeurIPS without the help of Black in AI. Twenty-four academics from Africa and South America were denied visas to attend this session during the conference, according to Victor Silva, the workshop organizer. He noted that, less than a month before the conference, 40 applicants from both continents had been given visas but that more than 70 applications were still waiting. For the second year in a row, visa restrictions have stopped several African scholars from attending the 2018 meeting in Montreal. The AAAI announced the first Black in AI lunch, which was held in conjunction with AAAI-19. The lunch was hosted on Tuesday, January 29, 2019. This event was intended to promote networking, discussion of various AI career options, and the exchange of ideas in order to boost the number of Black researchers in the area. The fourth Black in AI workshop, which was held in conjunction with NeurIPS 2020, took place the week of December 7, 2020. The workshop was scheduled to take place in Vancouver, British Columbia. Due to the pandemic, the session was held for the first time in a virtual format. Victor Silva, an AI4Society student, served as the event's chair. The fifth annual Black in AI workshop was also held virtually in 2021. Oral presentations, guest keynote speakers, a combined poster session with other affinity groups, sponsored sessions, and startup showcases was all featured. The goal of the session was to raise the visibility of black scholars at NeurIPS.
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ArcSoft ShowBiz

ShowBiz is a video editor by ArcSoft for the Windows operating system. It can create VCD and DVDs and can also export to the formats AVI, MPEG, WMV, and MOV. ShowBiz also contains a DVD burning and menu building feature. As of 2003, it was one of the three most dominant bundled titles. == Reception == PC Magazine reviewer Jan Ozer states: "ArcSoft's ShowBiz has evolved into a competent editor that's generally more usable than Dazzle's MovieStar program, providing more configuration controls, better preview features, and a much greater range of fun effects." John Virata, senior editor of Digital Media Online, says in his three page review of ShowBiz DVD 2, "It is an easy editor to work with and has a logically laid out interface that takes you step by step through the video creation and DVD creation process"
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The Best Free AI Code Generator for Beginners

In search of the best AI code generator? An AI code generator is software that uses machine learning to help you get more done — it turns a rough idea into a polished result in seconds. When choosing one, weigh output quality, pricing, export formats, and how well it fits the tools you already use. Whether you are a beginner or a pro, the right AI code generator slots into your workflow and pays for itself fast. We tested the leading options and ranked them by quality, value, and ease of use.
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Adobe Enhanced Speech

Adobe Enhanced Speech is an online artificial intelligence software tool by Adobe that aims to significantly improve the quality of recorded speech that may be badly muffled, reverberated, full of artifacts, tinny, etc. and convert it to a studio-grade, professional level, regardless of the initial input's clarity. Users may upload mp3 or wav files up to an hour long and a gigabyte in size to the site to convert them relatively quickly, then being free to listen to the converted version, toggle back-and-forth and alternate between it and the original as it plays, and download it. Currently in beta and free to the public, it has been used in the restoration of old movies and the creation of professional-quality podcasts, narrations, etc. by those without sufficient microphones. Although the model still has some current limitations, such as not being compatible with singing and occasional issues with excessively muffled source audio resulting in a light lisp in the improved version, it is otherwise noted as incredibly effective and efficient in its purpose. Utilizing advanced machine learning algorithms to distinguish between speech and background sounds, it enhances the quality of the speech by filtering out the noise and artifacts, adjusting the pitch and volume levels, and normalizing the audio. This is accomplished by the network having been trained on a large dataset of speech samples from a diverse range of sources and then being fine-tuned to optimize the output.
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Noémie Elhadad

Noémie Elhadad is an American data scientist who is an associate professor of biomedical informatics at the Columbia University Vagelos College of Physicians and Surgeons. As of 2022, she serves as the chair of the Department of Biomedical Informatics. Her research considers machine learning in bioinformatics, natural language processing and medicine. == Early life and education == Elhadad studied computer software engineering at École nationale supérieure d'électronique, informatique, télécommunications, mathématique et mécanique de Bordeaux (ENSEIRB). She completed her doctoral research at Columbia University. She was based in the Department of Computer Science, where she developed patient-focused text summaries of clinical literature. == Research and career == Elhadad joined the faculty at the City College of New York. In 2007 she joined the Department of Biomedical Informatics at Columbia University. She was made Chair of the Health Analytics Center at the Columbia Data Science Institute in 2013. Her research considers how clinical data, electronic health records and patient-generated data can enhance access to information for researchers, patients and physicians. She developed an artificial intelligence tool that supported patients in the NewYork-Presbyterian Hospital. Elhadad is interested in using data to advance women's health. She led the Citizen Endo Project that looks to comprehensively describe how patients experience endometriosis. It was built using principles of citizen science, using patient testimonials from focus groups in New York City and data aggregation. She created the app, Phendo, which asks patients about their experience of the disease. The name Phendo is a portmanteau of phenotyping endometriosis. Elhadad was announced as chair of the Department of Biomedical Informatics in December 2022. == Selected publications == Caruana, Rich; Lou, Yin; Gehrke, Johannes; Koch, Paul; Sturm, Marc; Elhadad, Noemie (August 10, 2015). "Intelligible Models for HealthCare". Proceedings of the 21th ACM SIGKDD International Conference on Knowledge Discovery and Data Mining. New York, NY, USA: ACM. pp. 1721–1730. doi:10.1145/2783258.2788613. ISBN 9781450336642. S2CID 14190268. Chaitanya Shivade; Preethi Raghavan; Eric Fosler-Lussier; Peter J Embi; Noemie Elhadad; Stephen B Johnson; Albert M Lai (November 7, 2013). "A review of approaches to identifying patient phenotype cohorts using electronic health records". Journal of the American Medical Informatics Association. 21 (2): 221–230. doi:10.1136/AMIAJNL-2013-001935. ISSN 1067-5027. PMC 3932460. PMID 24201027. Wikidata Q37598951. Shivade, Chaitanya; Raghavan, Preethi; Fosler-Lussier, Eric; Embi, Peter J; Elhadad, Noemie; Johnson, Stephen B; Lai, Albert M (March 2014). "A review of approaches to identifying patient phenotype cohorts using electronic health records". Journal of the American Medical Informatics Association. 21 (2): 221–230. doi:10.1136/amiajnl-2013-001935. ISSN 1067-5027. PMC 3932460. PMID 24201027. == Personal life == Elhadad suffers from endometriosis.
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Clip Studio Paint

Clip Studio Paint (previously marketed as Manga Studio in North America), informally known in Japan as Kurisuta (クリスタ), is a family of software applications developed by Japanese graphics software company Celsys. It is used for the digital creation of comics, general illustration, and 2D animation. The software is available in versions for macOS, Windows, iOS, iPadOS, Android, and ChromeOS. The program is widely used by amateur and professional comics creators, and animation studios. The application is sold in editions with varying feature sets. The full-featured edition is a page-based, layered drawing program, with support for bitmap and vector art, text, imported 3D models, and frame-by-frame animation. It is designed for use with a stylus and a graphics tablet or tablet computer. It has drawing tools which emulate natural media such as pencils, ink pens, and brushes, as well as patterns and decorations. It is distinguished from similar programs by features designed for creating comics: tools for creating panel layouts, perspective rulers, sketching, inking, applying tones and textures, coloring, and creating word balloons and captions. == History == The application has it origins in a program for macOS and Windows, released in Japan in 2001 as "Comic Studio". It was sold as "Manga Studio" in the Western market by E Frontier America until 2007, then by Smith Micro Software. Early versions were designed for creating black and white art with only spot color (a typical format for Japanese manga), with version 4 adding support for full-color art. Celsys developed Clip Studio Paint as a replacement for this product, based on the company's Illust Studio application, and it was released on May 31, 2012. It was initially distributed in Western markets as "Manga Studio 5", but in 2016, the branding was unified worldwide as "Clip Studio Paint". At this time, version 1.5.4 introduced a new file format (extension .clip) and frame-by-frame animation. In late 2017, Celsys took over direct support for the software worldwide, and ceased its relationship with Smith Micro. In July 2018, Celsys began a partnership with Graphixly for distribution in North America, South America, and Europe. Clip Studio Paint for the Apple iPad was introduced in November 2017, and for the iPhone in December 2019. Clip Studio Paint for Samsung Galaxy tablets and smartphones was released in August 2020 on the Galaxy Store, with versions for other Android devices and Chromebooks released in December. The Windows and macOS versions of the software have been sold and distributed either from the developer's web site or on DVD, and purchased either with a perpetual license or an ongoing subscription. The versions for iPhone, iPad, and Android-based devices are distributed through the corresponding app stores free of charge, but require a subscription – which includes cloud storage – for unrestricted use. Without a subscription, the tablet versions can be used only for a specified number of months, and the phone versions can be used only for 30 hours per month. From 2013 to 2023, regular updates for version 1 were distributed free of additional charge to both perpetual and subscription users. Since the release of version 2 in 2023, feature updates are included only in subscription plans and are available to perpetual licenses at an additional cost. Perpetual licenses can be upgraded permanently or with an annual "update pass". The "update pass" provides early access to features to be included in subsequent perpetual licenses for 12 months, after which the software reverts to the original license if not renewed. In March 2024, version 3 was released, and version 4 introduced additional features in March 2025. == Editions == Clip Studio Paint is available in three editions, with differing feature sets and prices: Debut (bundle-only grade), Pro (adding support for vector-based drawing, custom textures, and comics-focused features), and EX (adding support for multi-page documents, book exporting, and 2D animation). Companion programs include Clip Studio (for managing and sharing digital assets distributed through the Clip Studio web site, managing licenses, and getting updates and support) and Clip Studio Modeler (for setting up 3D materials to use in Clip Studio Paint).
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András Kornai

András Kornai (born 1957 in Budapest) is a mathematical linguist. == Education == Kornai is the son of economist János Kornai. He earned two PhDs with the first being in mathematics in 1983 from Eötvös Loránd University in Budapest, where his advisor was Miklós Ajtai. His second was in linguistics in 1991 from Stanford University, where his advisor was Paul Kiparsky. == Career == He is a professor in the Department of Algebra at the Budapest Institute of Technology, where he works on an open source Hungarian morphological analyzer. He was Chief Scientist at MetaCarta, where he worked on information extraction before the company was acquired by Nokia. Prior to MetaCarta, he was Chief Scientist at Northern Light. He is on the board of the journal Grammars and YourAmigo PLC. His research interests include all mathematical aspects of natural language processing, speech recognition, and OCR. As area editor he was responsible for the Mathematical Linguistics area of the Oxford International Encyclopedia of Linguistics, and his joint work with Geoffrey Pullum, "The X-bar Theory of Phrase Structure", formally reconstructed that then-popular linguistic theory. == Awards and honors == 2009: ACM Distinguished Member == Monographs == Semantics. Springer Nature, 2020. ISBN 978-3-319-65644-1 Mathematical Linguistics. Springer Verlag, in the series Advanced Information and Knowledge Processing, November 2007. ISBN 978-1-84628-985-9 Hardbound, approximately 300 pages. See description. Formal Phonology. In the series Outstanding Dissertations in Linguistics, Garland Publishing, 1994, ISBN 0-8153-1730-1, hardbound, 240 pages Contents, Preface, Introduction (20 pages) On Hungarian Morphology. In the series Linguistica, Hungarian Academy of Sciences, 1994, ISBN 963-8461-73-X, paperbound, 174 pages Contents, Preface, Introduction (10 pages) == Books edited == Oxford International Encyclopedia of Linguistics (Mathematical Linguistics Area Editor under Editor in Chief William Frawley). 4 volumes, Oxford University Press, 2003, ISBN 978-0-19-513977-8. Proceedings of the HLT-NAACL Workshop on the Analysis of Geographic References. Jointly with Beth Sundheim. Association for Computational Linguistics, 2003, ISBN 1-932432-04-3 (WS9), paperbound, vi+81 pages. See related material. Extended Finite State Models of Language (editor). In the series Studies in Natural Language Processing, Cambridge University Press, 1999, ISBN 0-521-63198-X, hardbound, x+278 pages Contents, Introduction (7 pages). == Selected papers == Digital Language Death. PLoS ONE 8(10): e77056, 2012. [1] Hunmorph: open source word analysis (Jointly with V. Tron, Gy. Gyepesi, P. Halacsy, L. Nemeth, and D. Varga). In Proc. ACL 2005 Software Workshop 77-85 [2] Leveraging the open source ispell codebase for minority language analysis (Jointly with P. Halacsy, L. Nemeth, A. Rung, I. Szakadat, and V. Tron). In J. Carson-Berndsen (ed): Proc. SALTMIL 2004 56-59 [3] Explicit Finitism, International Journal of Theoretical Physics 2003/2 301-307 [4] Mathematical Linguistics (Jointly with G.K. Pullum) In W. Frawley (ed): Oxford International Encyclopedia of Linguistics, Oxford University Press 2003, v3 17-20 [5] Optical Character Recognition, In W. Frawley (ed): Oxford International Encyclopedia of Linguistics, Oxford University Press 2003, v3 33-34 [6] How many words are there? Glottometrics 2002/4 61-86 [7] Zipf's law outside the middle range Proc. Sixth Meeting on Mathematics of Language University of Central Florida, 1999 347-356 [8] A Robust, Language-Independent OCR System. (Jointly with Z. Lu, I. Bazzi, J. Makhoul, P. Natarajan, and R. Schwartz) In: Robert J. Mericsko (ed): Proc. 27th AIPR Workshop: Advances in Computer-Assisted Recognition SPIE Proceedings 3584 1999 [9] Quantitative Comparison of Languages. Grammars 1998/2 155-165 [10] The generative power of feature geometry. Annals of Mathematics and Artificial Intelligence 8 1993 37-46 [11] The X-bar Theory of Phrase Structure. (Jointly with G.K. Pullum) Language 66 1990 24-50 [12]
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Top 10 AI Presentation Makers Compared (2026)

Trying to pick the best AI presentation maker? An AI presentation maker is software that uses machine learning to help you get more done — it scales effortlessly from a single task to thousands. The best picks balance beginner-friendly simplicity with the depth power users need, and they ship updates often. Whether you are a beginner or a pro, the right AI presentation maker slots into your workflow and pays for itself fast. Read on for hands-on impressions, pricing tiers, and the standout features that matter.
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