Nona-binning is a pixel binning technique used in high-resolution image sensors, primarily in smartphone cameras. The method is based on merging groups of nine neighbouring pixels arranged in a 3×3 pattern. This configuration allows a sensor with very small individual pixels to increase its effective light sensitivity when operating in low-light conditions, while still maintaining high nominal resolution in bright environments. == Overview == Nona-binning is most commonly implemented in sensors with a resolution of 108 megapixels and higher. As pixel counts grew, the physical dimensions of individual pixels continued to shrink, reducing the amount of light captured by each. The 3×3 binning structure enables a sensor to operate in two modes. In well-lit scenes, each pixel is processed separately, providing the full resolution of the sensor. In darker settings, nine pixels with identical colour filters are combined into a single output unit, increasing signal strength and reducing noise. == Technical principles == Unlike the traditional Bayer colour filter array, which alternates colours on a per-pixel basis, nona-binning uses a grouped layout. The sensor forms blocks of nine pixels with matching colour filters — typically within a Quad Bayer–derived arrangement extended to 3×3 regions. When operating in the binning mode, the sensor aggregates the charge generated by all nine pixels in each block. This increases effective sensitivity but lowers the final image resolution. When lighting conditions allow, the sensor returns to processing pixel data individually. == Applications == Nona-binning is primarily used in: Smartphone photography, particularly in devices equipped with sensors exceeding 100 megapixels. Low-light imaging, where increased sensitivity improves exposure stability and reduces noise. Computational photography systems, such as multi-frame processing and HDR capture. == Related technologies == Nona-binning belongs to the broader group of pixel-binning approaches used in modern sensors. Other implementations include Tetracell, which merges four pixels in a 2×2 block, and hexa-binning, which combines six pixels, though it is less common. All of these methods aim to balance the high nominal resolution of mobile sensors with the need for improved low-light performance.
SMBGhost
SMBGhost (or SMBleedingGhost or CoronaBlue) is a type of security vulnerability, with wormlike features, that affects Windows 10 computers and was first reported publicly on 10 March 2020. == Security vulnerability == A proof of concept (PoC) exploit code was published 1 June 2020 on GitHub by a security researcher. The code could possibly spread to millions of unpatched computers, resulting in as much as tens of billions of dollars in losses. Microsoft recommends all users of Windows 10 versions 1903 and 1909 and Windows Server versions 1903 and 1909 to install patches, and states, "We recommend customers install updates as soon as possible as publicly disclosed vulnerabilities have the potential to be leveraged by bad actors ... An update for this vulnerability was released in March [2020], and customers who have installed the updates, or have automatic updates enabled, are already protected." Workarounds, according to Microsoft, such as disabling SMB compression and blocking port 445, may help but may not be sufficient. According to the advisory division of Homeland Security, "Malicious cyber actors are targeting unpatched systems with the new [threat], ... [and] strongly recommends using a firewall to block server message block ports from the internet and to apply patches to critical- and high-severity vulnerabilities as soon as possible."
Restricted Boltzmann machine
A restricted Boltzmann machine (RBM) (also called a restricted Sherrington–Kirkpatrick model with external field or restricted stochastic Ising–Lenz–Little model) is a generative stochastic artificial neural network that can learn a probability distribution over its set of inputs. RBMs were initially proposed under the name Harmonium by Paul Smolensky in 1986, and rose to prominence after Geoffrey Hinton and collaborators used fast learning algorithms for them in the mid-2000s. RBMs have found applications in dimensionality reduction, classification, collaborative filtering, feature learning, topic modelling, immunology, and even many‑body quantum mechanics. They can be trained in either supervised or unsupervised ways, depending on the task. As their name implies, RBMs are a variant of Boltzmann machines, with the restriction that their neurons must form a bipartite graph: a pair of nodes from each of the two groups of units (commonly referred to as the "visible" and "hidden" units respectively) may have a symmetric connection between them; and there are no connections between nodes within a group. By contrast, "unrestricted" Boltzmann machines may have connections between hidden units. This restriction allows for more efficient training algorithms than are available for the general class of Boltzmann machines, in particular the gradient-based contrastive divergence algorithm. Restricted Boltzmann machines can also be used in deep learning networks. In particular, deep belief networks can be formed by "stacking" RBMs and optionally fine-tuning the resulting deep network with gradient descent and backpropagation. == Structure == The standard type of RBM has binary-valued (Boolean) hidden and visible units, and consists of a matrix of weights W {\displaystyle W} of size m × n {\displaystyle m\times n} . Each weight element ( w i , j ) {\displaystyle (w_{i,j})} of the matrix is associated with the connection between the visible (input) unit v i {\displaystyle v_{i}} and the hidden unit h j {\displaystyle h_{j}} . In addition, there are bias weights (offsets) a i {\displaystyle a_{i}} for v i {\displaystyle v_{i}} and b j {\displaystyle b_{j}} for h j {\displaystyle h_{j}} . Given the weights and biases, the energy of a configuration (pair of Boolean vectors) (v,h) is defined as E ( v , h ) = − ∑ i a i v i − ∑ j b j h j − ∑ i ∑ j v i w i , j h j {\displaystyle E(v,h)=-\sum _{i}a_{i}v_{i}-\sum _{j}b_{j}h_{j}-\sum _{i}\sum _{j}v_{i}w_{i,j}h_{j}} or, in matrix notation, E ( v , h ) = − a T v − b T h − v T W h . {\displaystyle E(v,h)=-a^{\mathrm {T} }v-b^{\mathrm {T} }h-v^{\mathrm {T} }Wh.} This energy function is analogous to that of a Hopfield network. As with general Boltzmann machines, the joint probability distribution for the visible and hidden vectors is defined in terms of the energy function as follows, P ( v , h ) = 1 Z e − E ( v , h ) {\displaystyle P(v,h)={\frac {1}{Z}}e^{-E(v,h)}} where Z {\displaystyle Z} is a partition function defined as the sum of e − E ( v , h ) {\displaystyle e^{-E(v,h)}} over all possible configurations, which can be interpreted as a normalizing constant to ensure that the probabilities sum to 1. The marginal probability of a visible vector is the sum of P ( v , h ) {\displaystyle P(v,h)} over all possible hidden layer configurations, P ( v ) = 1 Z ∑ { h } e − E ( v , h ) {\displaystyle P(v)={\frac {1}{Z}}\sum _{\{h\}}e^{-E(v,h)}} , and vice versa. Since the underlying graph structure of the RBM is bipartite (meaning there are no intra-layer connections), the hidden unit activations are mutually independent given the visible unit activations. Conversely, the visible unit activations are mutually independent given the hidden unit activations. That is, for m visible units and n hidden units, the conditional probability of a configuration of the visible units v, given a configuration of the hidden units h, is P ( v | h ) = ∏ i = 1 m P ( v i | h ) {\displaystyle P(v|h)=\prod _{i=1}^{m}P(v_{i}|h)} . Conversely, the conditional probability of h given v is P ( h | v ) = ∏ j = 1 n P ( h j | v ) {\displaystyle P(h|v)=\prod _{j=1}^{n}P(h_{j}|v)} . The individual activation probabilities are given by P ( h j = 1 | v ) = σ ( b j + ∑ i = 1 m w i , j v i ) {\displaystyle P(h_{j}=1|v)=\sigma \left(b_{j}+\sum _{i=1}^{m}w_{i,j}v_{i}\right)} and P ( v i = 1 | h ) = σ ( a i + ∑ j = 1 n w i , j h j ) {\displaystyle \,P(v_{i}=1|h)=\sigma \left(a_{i}+\sum _{j=1}^{n}w_{i,j}h_{j}\right)} where σ {\displaystyle \sigma } denotes the logistic sigmoid. The visible units of Restricted Boltzmann Machine can be multinomial, although the hidden units are Bernoulli. In this case, the logistic function for visible units is replaced by the softmax function P ( v i k = 1 | h ) = exp ( a i k + Σ j W i j k h j ) Σ k ′ = 1 K exp ( a i k ′ + Σ j W i j k ′ h j ) {\displaystyle P(v_{i}^{k}=1|h)={\frac {\exp(a_{i}^{k}+\Sigma _{j}W_{ij}^{k}h_{j})}{\Sigma _{k'=1}^{K}\exp(a_{i}^{k'}+\Sigma _{j}W_{ij}^{k'}h_{j})}}} where K is the number of discrete values that the visible values have. They are applied in topic modeling, and recommender systems. === Relation to other models === Restricted Boltzmann machines are a special case of Boltzmann machines and Markov random fields. The graphical model of RBMs corresponds to that of factor analysis. == Training algorithm == Restricted Boltzmann machines are trained to maximize the product of probabilities assigned to some training set V {\displaystyle V} (a matrix, each row of which is treated as a visible vector v {\displaystyle v} ), arg max W ∏ v ∈ V P ( v ) {\displaystyle \arg \max _{W}\prod _{v\in V}P(v)} or equivalently, to maximize the expected log probability of a training sample v {\displaystyle v} selected randomly from V {\displaystyle V} : arg max W E [ log P ( v ) ] {\displaystyle \arg \max _{W}\mathbb {E} \left[\log P(v)\right]} The algorithm most often used to train RBMs, that is, to optimize the weight matrix W {\displaystyle W} , is the contrastive divergence (CD) algorithm due to Hinton, originally developed to train PoE (product of experts) models. The algorithm performs Gibbs sampling and is used inside a gradient descent procedure (similar to the way backpropagation is used inside such a procedure when training feedforward neural nets) to compute weight update. The basic, single-step contrastive divergence (CD-1) procedure for a single sample can be summarized as follows: Take a training sample v, compute the probabilities of the hidden units and sample a hidden activation vector h from this probability distribution. Compute the outer product of v and h and call this the positive gradient. From h, sample a reconstruction v' of the visible units, then resample the hidden activations h' from this. (Gibbs sampling step) Compute the outer product of v' and h' and call this the negative gradient. Let the update to the weight matrix W {\displaystyle W} be the positive gradient minus the negative gradient, times some learning rate: Δ W = ϵ ( v h T − v ′ h ′ T ) {\displaystyle \Delta W=\epsilon (vh^{\mathsf {T}}-v'h'^{\mathsf {T}})} . Update the biases a and b analogously: Δ a = ϵ ( v − v ′ ) {\displaystyle \Delta a=\epsilon (v-v')} , Δ b = ϵ ( h − h ′ ) {\displaystyle \Delta b=\epsilon (h-h')} . A Practical Guide to Training RBMs written by Hinton can be found on his homepage. == Stacked Restricted Boltzmann Machine == The difference between the Stacked Restricted Boltzmann Machines and RBM is that RBM has lateral connections within a layer that are prohibited to make analysis tractable. On the other hand, the Stacked Boltzmann consists of a combination of an unsupervised three-layer network with symmetric weights and a supervised fine-tuned top layer for recognizing three classes. The usage of Stacked Boltzmann is to understand Natural languages, retrieve documents, image generation, and classification. These functions are trained with unsupervised pre-training and/or supervised fine-tuning. Unlike the undirected symmetric top layer, with a two-way unsymmetric layer for connection for RBM. The restricted Boltzmann's connection is three-layers with asymmetric weights, and two networks are combined into one. Stacked Boltzmann does share similarities with RBM, the neuron for Stacked Boltzmann is a stochastic binary Hopfield neuron, which is the same as the Restricted Boltzmann Machine. The energy from both Restricted Boltzmann and RBM is given by Gibb's probability measure: E = − 1 2 ∑ i , j w i j s i s j + ∑ i θ i s i {\displaystyle E=-{\frac {1}{2}}\sum _{i,j}{w_{ij}{s_{i}}{s_{j}}}+\sum _{i}{\theta _{i}}{s_{i}}} . The training process of Restricted Boltzmann is similar to RBM. Restricted Boltzmann train one layer at a time and approximate equilibrium state with a 3-segment pass, not performing back propagation. Restricted Boltzmann uses both supervised and unsupervised on different RBM for pre-training for classification and recognition. The training uses contrastive divergence with
Lübke English
The term Lübke English (or, in German, Lübke-Englisch) refers to nonsensical English created by literal word-by-word translation of German phrases, disregarding differences between the languages in syntax and meaning. Lübke English is named after Heinrich Lübke, a president of Germany in the 1960s, whose limited English made him a target of German humorists. In 2006, the German magazine konkret revealed that most of the statements ascribed to Lübke were in fact invented by the editorship of Der Spiegel, mainly by staff writer Ernst Goyke and subsequent letters to the editor. In the 1980s, comedian Otto Waalkes had a routine called "English for Runaways", which is a nonsensical literal translation of Englisch für Fortgeschrittene (actually an idiom for 'English for advanced speakers' in German – note that fortschreiten divides into fort, meaning "away" or "forward", and schreiten, meaning "to walk in steps"). In this mock "course", he translates every sentence back or forth between English and German at least once (usually from German literally into English). Though there are also other, more complex language puns, the title of this routine has gradually replaced the term Lübke English when a German speaker wants to point out naive literal translations.
Top 10 AI Essay Writers Compared (2026)
Curious about the best AI essay writer? An AI essay writer is software that uses machine learning to help you get more done — it combines speed, accuracy, and an interface that just works. Hands-on testing shows real-world results vary, so a short free trial is the smartest way to decide. Whether you are a beginner or a pro, the right AI essay writer slots into your workflow and pays for itself fast. This guide breaks down the top picks, their pros and cons, and who each one is best for.
Film-out
Film-out is the process in the computer graphics, video production and filmmaking disciplines of transferring images or animation from videotape or digital files to a traditional film print. Film-out is a broad term that encompasses the conversion of frame rates, color correction, as well as the actual printing, also called scannior recording. The film-out process is different depending on the regional standard of the master videotape in question – NTSC, PAL, or SECAM – or likewise on the several emerging region-independent formats of high definition video (HD video); thus each type is covered separately, taking into account regional film-out industries, methods and technical considerations. == Live action video == Many modern documentaries and low-budget films are shot on videotape or other digital video media, instead of film stock, and completed as digital video. Video production means substantially lower costs than 16 mm or 35 mm film production on all levels. Until recently, the relatively low cost of video ended when the issue of a theatrical presentation was raised, which required a print for film projection. With the growing presence of digital projection, this is becoming less of a factor. === Standard definition (SD) video === Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film frames onto actual film. To understand these two steps, it is important to understand how video and film differ. Film (sound film, at least) has remained unchanged for almost a century and creates the illusion of moving images through the rapid projection of still images, frames, upon a screen, typically 24 per second. Traditional interlaced SD video has no real frame rate, (though the term frame is applied to video, it has a different meaning). Instead, video consists of a very fast succession of horizontal lines that continually cascade down the television screen – streaming top to bottom, before jumping back to the top and then streaming down to the bottom again, repeatedly, almost 60 alternating screen-fulls every second for NTSC, or exactly 50 such screen-fulls per second for PAL and SECAM. Since visual movement in video is infused in this continuous cascade of scan lines, there is no discrete image or real frame that can be identified at any one time. Therefore, when transferring video to film, it is necessary to invent individual film frames, 24 for every second of elapsed time. The bulk of the work done by a film-out company is this first step, creating film frames out of the stream of interlaced video. Each company employs its own (often proprietary) technology for turning interlaced video into high-resolution digital video files of 24 discrete images every second, called 24 progressive video or 24p. The technology must filter out all the visually unappealing artifacting that results from the inherent mismatch between video and film movement. Moreover, the conversion process usually requires human intervention at every edit point of a video program, so that each type of scene can be calibrated for maximum visual quality. The use of archival footage in video especially calls for extra attention. Step two, the scanning to film, is the rote part of the process. This is the mechanical step where lasers print each of the newly created frames of the 24p video, stored on computer files or HD videotape, onto rolls of film. Most companies that do film-out, do all the stages of the process themselves for a lump sum. The job includes converting interlaced video into 24p and often a color correction session – (calibrating the image for theatrical projection), before scanning to physical film, (possibly followed by color correction of the film print made from the digital intermediary) – is offered. At the very least, film-out can be understood as the process of converting interlaced video to 24p and then scanning it to film. ==== NTSC video ==== NTSC is the most challenging of the formats when it comes to standards conversion and, specifically, converting to film prints. NTSC runs at the approximate rate of 29.97 video frames (consisting of two interlaced screen-fulls of scan lines, called fields, per frame) per second. In this way, NTSC resolves actual live action movement at almost – but not quite – 60 alternating half-resolution images every second. Because of this 29.97 rate, no direct correlation to film frames at 24 frames per second can be achieved. NTSC is hardest to reconcile with film, thus motivating its own unique processes. ==== PAL and SECAM video ==== PAL and SECAM run at 25 interlaced video frames per second, which can be slowed down or frame-dropped, then deinterlaced, to correlate frame for frame with film running at 24 actual frames per second. PAL and SECAM are less complex and demanding than NTSC for film-out. PAL and SECAM conversions do agitate, though, with the unpleasant choice between slowing down video (and audio pitch, noticeably) by four percent, from 25 to 24 frames per second, in order to maintain a 1:1 frame match, slightly changing the rhythm and feel of the program; or maintaining original speed by periodically dropping frames, thereby creating jerkiness and possible loss of vital detail in fast-moving action or precise edits. === High definition (HD) digital video === High definition digital video can be shot at a variety of frame rates, including 29.97 interlaced (like NTSC) or progressive; or 25 interlaced (like PAL) or progressive; or even 24-progressive (just like film). HD, if shot in 24-progressive, scans nearly perfectly to film without the need for a frame or field conversion process. Other issues remain though, based on the different resolutions, color spaces, and compression schemes that exist in the high-definition video world. == Computer graphics and animation == Artists working with CGI-Computer-generated imagery animation computers create pictures frame by frame. Once the finished product is done, the frames are outputted, normally in a DPX file. These picture data files can then be put on to film using a film recorder for film out. SGI computers started the high-end CGI-Computer-generated imagery animation systems, but with faster computers and the growth of Linux-based systems, many others are on the market now. Movies fully rendered and animated in CGI such as Toy Story, and Antz utilize the film-out method to produce 35mm copies for archival and release prints. Most CGI work is done in 2K Display resolution files (about the size of QXGA) and then output to the Film-out device for creation of 35 mm elements. With 4K Display resolution digital intermediates on the rise, newer types of film-out recorders are being developed to accept 4k resolution files. A 2K movie requires a Storage Area Network storage several terabytes in size to be properly stored and played out. Computer graphics files are handled the same way but in single frames and may use DPX, TIFF or other file formats. == Digital intermediates == Film-out-recording is the last step of digital intermediate workflow. DPX files that were scanned on a motion picture film scanner are stored on a storage area network (often abbreviated as SAN). The scanned DPX footage is edited and composited-FX on workstations, then mastered back on film. Film restoration is also done this way. A "film intermediate" is an analog variation of a digital intermediate, where a project shot on digital video is printed onto film stock and transferred back to digital video to emulate film. The term was coined after it was used on the Oscar-winning 2012 short film "Curfew". The process was also used on the films Dune (2021) and The Batman (2022). == Images for graphic design and print industries == The days of newspapers and magazines shooting 35mm film are almost gone. Digital cameras can now shoot all the images needed, storing them as files (e.g. JPEG, DPX or another format) that are readily edited prior to use. Once the final copy is approved, it can be filmed out for publishing. Digital stills are not the only way to get pictures used in the graphic design and print industries. Film scanners and computer graphics programs are also common sources for graphic design and print industries. == Types of devices == The following devices are used in film-out processes: CRT recorder. Camera and a special TV display Kinescope – early type Electronic Video Recording or EVR – early type EBR Electron Beam Film Recorder 16 mm by 3M Laser film recorder, like Kodak's high-end Lightning II recorder and Arri's Arrilaser. DLP Film recorder, like Cinevation's real-time Cinevator. == History == Lately it has become possible to transfer video images, inclu
Myhill–Nerode theorem
In the theory of formal languages, the Myhill–Nerode theorem provides a necessary and sufficient condition for a language to be regular. The theorem is named for John Myhill and Anil Nerode, who proved it at the University of Chicago in 1957 (Nerode & Sauer 1957, p. ii). == Statement == Given a language L {\displaystyle L} , and a pair of strings x {\displaystyle x} and y {\displaystyle y} , define a distinguishing extension to be a string z {\displaystyle z} such that exactly one of the two strings x z {\displaystyle xz} and y z {\displaystyle yz} belongs to L {\displaystyle L} . Define a relation ∼ L {\displaystyle \sim _{L}} on strings as x ∼ L y {\displaystyle x\;\sim _{L}\ y} if there is no distinguishing extension for x {\displaystyle x} and y {\displaystyle y} . It is easy to show that ∼ L {\displaystyle \sim _{L}} is an equivalence relation on strings, and thus it divides the set of all strings into equivalence classes. The Myhill–Nerode theorem states that a language L {\displaystyle L} is regular if and only if ∼ L {\displaystyle \sim _{L}} has a finite number of equivalence classes, and moreover, that this number is equal to the number of states in the minimal deterministic finite automaton (DFA) accepting L {\displaystyle L} . Furthermore, every minimal DFA for the language is isomorphic to the canonical one (Hopcroft & Ullman 1979). Generally, for any language, the constructed automaton is a state automaton acceptor. However, it does not necessarily have finitely many states. The Myhill–Nerode theorem shows that finiteness is necessary and sufficient for language regularity. Some authors refer to the ∼ L {\displaystyle \sim _{L}} relation as Nerode congruence, in honor of Anil Nerode. == Use and consequences == The Myhill–Nerode theorem may be used to show that a language L {\displaystyle L} is regular by proving that the number of equivalence classes of ∼ L {\displaystyle \sim _{L}} is finite. This may be done by an exhaustive case analysis in which, beginning from the empty string, distinguishing extensions are used to find additional equivalence classes until no more can be found. For example, the language consisting of binary representations of numbers that can be divided by 3 is regular. Given two binary strings x , y {\displaystyle x,y} , extending them by one digit gives 2 x + b , 2 y + b {\displaystyle 2x+b,2y+b} , so 2 x + b ≡ 2 y + b mod 3 {\displaystyle 2x+b\equiv 2y+b\mod 3} iff x ≡ y mod 3 {\displaystyle x\equiv y\mod 3} . Thus, 00 {\displaystyle 00} (or 11 {\displaystyle 11} ), 01 {\displaystyle 01} , and 10 {\displaystyle 10} are the only distinguishing extensions, resulting in the 3 classes. The minimal automaton accepting our language would have three states corresponding to these three equivalence classes. Another immediate corollary of the theorem is that if for a language L {\displaystyle L} the relation ∼ L {\displaystyle \sim _{L}} has infinitely many equivalence classes, it is not regular. It is this corollary that is frequently used to prove that a language is not regular. == Generalizations == The Myhill–Nerode theorem can be generalized to tree automata.